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	<title>Make Musicals</title>
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		<title>What did you think of the show?</title>
		<link>http://makemusicals.com/2013/04/what-did-you-think-of-the-show/</link>
		<comments>http://makemusicals.com/2013/04/what-did-you-think-of-the-show/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 18:04:04 +0000</pubDate>
		<dc:creator>Brisa</dc:creator>
				<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Politics of Musicals]]></category>
		<category><![CDATA[Broadway openings]]></category>
		<category><![CDATA[did you like the show]]></category>
		<category><![CDATA[theater reviews]]></category>

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		<description><![CDATA[Tis the season for pre-Tony Spring openings on Broadway. The opening nights are coming fast and furiously and the theater district street corners and watering holes are echoing with that all important question, “So, what did you think of the show?” The default response is usually something like, “I liked it.” Or, “I didn’t like [...]]]></description>
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		<title>The Hidden Costs of Writing A Musical</title>
		<link>http://makemusicals.com/2013/03/the-hidden-costs-of-writing-a-musical/</link>
		<comments>http://makemusicals.com/2013/03/the-hidden-costs-of-writing-a-musical/#comments</comments>
		<pubDate>Tue, 26 Mar 2013 15:34:32 +0000</pubDate>
		<dc:creator>Brisa</dc:creator>
				<category><![CDATA[Funding]]></category>
		<category><![CDATA[The Business of Show Business]]></category>
		<category><![CDATA[cost of a musical]]></category>
		<category><![CDATA[entertainment attorney]]></category>
		<category><![CDATA[getting the rights for a musical]]></category>
		<category><![CDATA[making a musical]]></category>
		<category><![CDATA[musical theater budget]]></category>

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		<description><![CDATA[These days, we’re all very familiar with the multi-million dollar sticker shock that comes with mounting a musical. We’re even well aware that every musical will need to go through months and years of costly development before it fully comes to life. But before any of that can happen, the musical has to be written.   [...]]]></description>
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		<title>What the hell does &#8220;in good faith&#8221; mean?</title>
		<link>http://makemusicals.com/2013/03/what-the-hell-does-in-good-faith-mean/</link>
		<comments>http://makemusicals.com/2013/03/what-the-hell-does-in-good-faith-mean/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 13:22:02 +0000</pubDate>
		<dc:creator>Brisa</dc:creator>
				<category><![CDATA[The Business of Show Business]]></category>
		<category><![CDATA[entertainment lawyer]]></category>
		<category><![CDATA[in good faith]]></category>
		<category><![CDATA[option agreement]]></category>
		<category><![CDATA[theater law]]></category>

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		<description><![CDATA[As a theater producer, a lot of contracts come across my desk. Option agreements, employment deals, production contracts. These are epic documents that lay out the deal and then proceed to outline every imaginable way that things could go wrong and try to protect each party&#8217;s interests should any of the worst case scenarios come [...]]]></description>
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		<title>Life&#8217;s a Pitch</title>
		<link>http://makemusicals.com/2013/02/lifes-a-pitch/</link>
		<comments>http://makemusicals.com/2013/02/lifes-a-pitch/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 15:57:19 +0000</pubDate>
		<dc:creator>Brisa</dc:creator>
				<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[broadway]]></category>
		<category><![CDATA[new musicals]]></category>
		<category><![CDATA[pitching]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[selling your show]]></category>
		<category><![CDATA[the pitch]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[writers]]></category>

		<guid isPermaLink="false">http://makemusicals.com/?p=3080</guid>
		<description><![CDATA[If you want a career in musical theater, you better embrace your inner Harold Hill. Because to make it in the business, we all have to be salesmen (sales people?) peddling our wares. If you aren’t willing to make the pitch, as Harold Hill would say, “Ya Got Trouble.” This came up recently because I [...]]]></description>
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